I found the animation timing of Yuri Norstein's style to be particularly interesting. I cannot remember specific examples, but the style had a definite dynamism that made it far more expressive than the previous styles we have encountered. With certain instances in Hedgehog in the Fog, the timing was so exaggerated that I even found it to be awkward, or at least confusing. Some cuts and movements were so fast that I encountered difficulty in perceiving the animator's intention, whether it be the action itself or the emotional state of the character.
I absolutely loved the aesthetic style of Jiri Barta's The Pied Piper of Hamelin. Though it could have been completed in other mediums like hand drawn 2D animation, I believe the wooden carvings enhanced the caricature of certain characters. The sharp edges and highly stylizes forms depicted the particular personality of each character in a way I have rarely seen before. Likewise, few moving parts existed on the puppets, and so the caricature had to sufficiently convey each character.
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The untrustworthy, deceiving king - the form of his head resembles a rodent, which symbolize greed in the film |
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The greedy and materialistic - high, upturned chins convey pompousness |
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The brutal executioner - jagged, asymmetrical, harsh forms convey some brute nature
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